ACSS

The Academic Skills Study (ACSS) 2025 took the theme of Promoting Global Solidarity through Media and Communication. This agenda was held on September 26, 2025, at the Soekiman Wirosandjojo Auditorium Building, 3rd Floor, UII. This programme was a form of welcome for Students of IPC batch 2025.

Given the current unfavourable global conditions, this theme was chosen due to the ongoing global challenges, including natural disasters, climate change, social injustice, armed conflicts, and wars. These challenges have triggered inequality and division, necessitating global solidarity.

As Communication Science students, IPC students are invited to understand the role of media and communication in several contexts. These contexts include how media and communication shape narratives and build intercultural understanding. Second, promoting unity, inclusion, and empathy. Third, informing, inspiring, and driving positive action at the national and international levels.

The Head of the Communication Science Study Programme at UII, Dr. Zaki Habibi, M.Comms., had the opportunity to welcome new IPC UII students. He advised that this agenda was created to prepare students for their four-year study journey ahead.

“Pop up to your academic transcript, it is quite important for you to get ready with the skills and requirements needed for your future,” he said.

From the speech given by Dr. Zaki Habibi, several messages of hope for students of IPC batch 2025 included having a strong sense of togetherness and a clear direction in campus life, having a positive commitment to the world, and being able to use communication as a force for good in a global context.

To support all of this, the ACSS 2025 programme was carefully designed. Several workshops were conducted with the active involvement of students. These workshops included Promoting Global Solidarity through Creative Writing with facilitator Nadia Wasta Utami, S.I.Kom., M.A., who has experience in various campaigns, especially for all of UII’s official social media accounts.

Next was the Introduction to Academic Writing workshop by Iwan Awaluddin Yusuf, Ph.D. In this session, students were invited to understand something interesting and potentially worthy of academic writing. This was followed by a sharing session with IPC batch 2020 alumna Arsila Khairunnisa, S.I.Kom. She is the top graduate of 2024 with a GPA of 4.00, and she shared her experience in public speaking to inspire others. Finally, there was a motivational and mental preparation session entitled From High School to Higher Education: Developing Resilience in a Changing World by Wanadya Ayu Krishna Dewi, S.Psi., M.A., a lecturer and psychologist from the Faculty of Psychology at UII.

Kaliurang Festival Hub Seri #7: Pemutaran Film-Film Terkurasi dari Kotabaru Heritage Festival

Memasuki tahun ketiganya, Kaliurang Festival Hub (KalFest Hub) seri ke-7 berkolaborasi dengan Kotabaru Heritage Festival. Agenda ini dilakukan pada 25 hingga 26 September 2025 di Gedung RAV Ilmu Komunikasi UII. Mengambil tema Layar Heritage: Cerita Lama, Suara Baru, Selain screening film-film heritage, festival ini membicarakan warisan budaya dari cara bertutur hingga sistematikanya yang akan digali lebih dalam pada Movie Talk di hari kedua.

Direktur Kaliurang Festival Hub, Marjito Iskandar Tri Gunawan, M.I.Kom menjelaskan momen ini menjadi hub bagi penikmat film agar saling terhubung dan bertukar wawasan. Seri ke-7 menyoroti perpektif dan pengelolaan heritage di Indonesia.

“Tujuan kita untuk semacam hub bagi penonton yang bergabung kita hubungkan dengan festival-festival di Indonesia maupun internasional agar saling terhubung terkoneksi,” ujarnya membuka screening di hari pertama.

Festival menayangkan delapan film dengan berbagai genre untuk memberikan perspektif yang lebih kaya dan inspirasi bagi para penonton, khususnya para pembuat film muda yang ingin belajar dan berkarya.

Sementara, Dr. Zaki Habibi, M.Comms sebagai programmer dalam festival ini menyebut pembentukan Kalfest Hub berawal dari perjalanannya bersama tim yang aktif dari berbagai festival hingga pengalaman pengkajian film selama beberapa tahun. Dalam jangka panjang harapannya Kalfest Hub mampu menjadi pusat data dan ruang yang ideal untuk melakukan kolaborasi riset dan festival film yang dapat diakses di Nadim Ilmu Komunikasi UII.

Pemilihan film yang akan ditampilkan melalui proses kurasi yang ketat, tak hanya memperhatikan kualitas namun juga kesesuaian tema dan tujuan edukasi Kalfest Hub. Film-film pendek yang diputar memunculkan nilai-nilai lokal dan kultural penuh makna.

Beberapa film yang diputar adalah “Sie” film dokumenter yang berkisah tentang kehidupan Veronika Nona dan adiknya Nong Titus di Gunung Gai. Keduanya menjaga warisannya turun-menurun. Visualisasi alam sebagai entitas hidup yang perlu dilindungi. Beberapa narasi yang diucapkan Veronika Nona seperti “Tanda Alam Tak Terdengar” dan “Rumah Penunggu Dibongkar,” menggambarkan hubungan tokoh dan alam yang begitu dekat dan menyatu. Nong Titus rela meninggalkan anak istrinya di perkampungan demi menjaga kebun dan ternak menambah kedalaman cerita sebagai bentuk tanggung jawab dan pelestarian budaya.

Satu lagi film yang mencuri perhatian, berjudul Saya di Sini, Kau di Sana (a Tale of the Crocodile’s Twin) merupakan garapan sutradara Indonesia Taufiqurrahman Kifu. Ketika menonton film ini penonton diajak untuk berjalan menyusuri memori-memori dongeng khas anak-anak. Namun ketahuilah bahwa cerita dalam film dokumenter tersebut ingin mengungkap bagaimana manusia sebagai makhluk hidup harus berbagi ruang dengan makhluk lain termasuk hewan. Dalam konteks tersebut adalah buaya.

Dongeng dari Sulawesi Tengah khususnya Kaili, mengangkat ruang hidup dan sungai-sungai. Dongeng yang bercerita tentang bangsawan Lasa Kumbili dengan saudara kembarannya Yale Bonto, sosok buaya menggambarkan prinsip hidup hubungan manusia dengan Tuhannya, manusia dengan manusia, serta manusia dengan alam. Bahkan di akhir cerita, kesaksian seorang korban tsunami mengaku ditolong oleh buaya. Kesaksian ini menjadi sebuah nilai-nilai lokal yang terus dipegang masyarakat Kaili.

Selain kedua film di atas, beberapa film lain adalah Bakmi Kangen Rasa, Purusa, Hange’dho, Sang Penyair, Sekaranga tau Nanto, dan Gegaraning Akrami.

Dengan pemutaran film dan diskusi mendalam, harapannya Kalfest Hub mampu memberi inspirasi untuk mahasiswa dan penonton dalam berkarya dan melestarikan warisan budaya sekaligus memperkuat koneksi.

How Does Social Media Play a Role in Raising the Issue of Solidarity?

Media has long shaped public opinion and collective behavior, but in the digital era, social media has become one of the most influential platforms in fostering solidarity. Unlike traditional media, social media enables interactive engagement, emotional expression, and a wide spread  of information, all of which contribute to collective awareness. As solidarity is a crucial element in uniting individuals for social causes, it is important to examine how social media facilitates it and where its limitations lie.

The media has always been central in raising social issues, but social media supports this process by allowing direct participation from individuals. It provides spaces for them to share stories, amplify marginalized voices, and create collective identities that support common issues. For example, movements like My Stealthy Freedom in Iran show how online spaces can create imagined solidarity, where people feel connected to a cause even without direct physical interaction. Social media thus serves as both a mirror and a motivator, shaping how solidarity is perceived and practiced.

How Social Media Facilitates Solidarity

Social media fosters solidarity by enabling rapid awareness, emotional connection, and organization of collective efforts. Hashtags, viral posts, and digital campaigns can mobilize support in ways traditional media cannot. Furthermore, global solidarity movements illustrate that social media allows activism to cross borders, creating new transnational advocacy networks. From climate activism to refugee support, digital platforms strengthen grassroots voices, but they also face challenges

Youth, Real-Life Application

Young people, in particular, are at the forefront of using social media for solidarity. In Indonesia, organizations like Indonesia untuk Kemanusiaan (IKa) have used digital campaigns to raise awareness and mobilize resources for gender-based violence issues. These cases highlight how online actions must be connected to offline engagement to sustain solidarity effectively.

As a Communication Science student, I believe it is important to recognize both the strengths and limitations of social media. While it is a powerful tool for mobilization and identity-building, its influence should be approached critically and strategically to avoid poor engagement. Logical and wise usage ensures that online solidarity translates into real, sustainable impact.

In conclusion, social media plays a vital role in raising the issue of solidarity by providing platforms for collective identity, emotional connection, and global mobilization.  To maximize its benefits, users and activists must focus not only on visibility but also on meaningful participation that bridges digital and physical action. 

References

Eni Maryani. (2018). Developing Social Solidarity through Digital Media. Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia, 3(1). https://www.researchgate.net/publication/323495449_Developing_Social_Solidarity_through_Digital_Media

The role of social media in shaping solidarity and compassion fade. (2018). New media & society. https://pure.rug.nl/ws/portalfiles/portal/76614172/1461444818760819.pdf

Schultze, U., & Stewart, M. (2019). Producing solidarity in social media activism: The case of My Stealthy Freedom. ResearchGate, 29(3). https://www.researchgate.net/publication/333464651_Producing_solidarity_in_social_media_activism_The_case_of_My_Stealthy_Freedom

Kaliurang Festival Hub (KalFestHub) seri #7 X Kotabaru Heritage Film Festival
Kaliurang Festival Hub (KalFestHub) seri #7 X Kotabaru Heritage Film Festival
Film Screening
Film-film terkurasi dari Kotabaru Heritage Film Festival
Kamis–Jumat, 25–26 September 2025
⏰ 13:00 – 17:00 WIB (Kamis) | 13:30 – 15:00 WIB (Jumat)
Ruang Audio Visual Ilmu Komunikasi Lt. 3, UII Yogyakarta
Movie Talk
“Layar Heritage: Cerita Lama, Suara Baru”
Pembicara:
•Siska Raharja (Direktur Kotabaru Heritage Film Festival, Pengajar di Jogja Film Academy)
•Suluh Pamuji (Kurator Film Kotabaru Heritage Film Festival, Direktur Eksekutif KDM Cinema, Film Programmer)
Moderator:
•Aditya Adlinggoro (Pengajar Komunikasi Visual dan Media Kreatif di Ilmu Komunikasi UII)
Jumat, 26 September 2025
⏰ 15:30 – 17:00 WIB
Ruang Audio Visual Ilmu Komunikasi Lt. 3, UII Yogyakarta
Terbuka untuk umum.
Gratis tanpa tiket masuk!
Penyambutan Mahasiswa Baru MIKOM 2025: Langkah Awal Menjadi Bagian Solusi

Sejarah baru dalam Program Magister Ilmu Komunikasi (MIKOM) UII mencatatkan 16 nama mahasiswa angkatan pertama periode 2025-2026. Perjalanan akademik yang dimulai pada 19 September 2025 dimulai dengan penyambutan, pengenalan, hingga proses kuliah hari pertama.

Disambut di Auditorium Lt 3 Gedung Soekiman Wirosandjojo, momen ini tak sekedar penyambutan mahasiswa baru angakatan pertama saja, melainkan komitmen serius dari para akademisi dalam menghadirkan pendidikan yang mampu menjawab tantangan zaman.

Ketua Jurusan Ilmu Komunikasi UII, Iwan Awaluddin Yusuf, S.IP., M.Si., Ph.D. menyampaikan proses perjalanan pendirian MIKOM. “Sebuah proses yang tidak main-main kami lalui dengan sangat panjang. 20 tahun program studi berdiri kami baru berani membuka Magister Ilmu Komunikasi dengan sebuah komitmen, kami rencanakan dengan serius, hati-hati dan pada waktunya kita launching. Dan 16 orang ini adalah bagian dari sejarah itu,” ujarnya menyambut mahasiswa MIKOM angkatan pertama.

Harapannya lulusan MIKOM UII mampu berkontribusi dalam kompetensi yang datang dari berbagai latar belakang. “Visi misi kami ingin menjadi bagian solusi dari persoalan terkait lingkungan dan komunikasi digital. Kami berharap kepada teman-teman yang hari ini memulai kuliah, besok akan berkontribusi dengan bidang dan kompetensi masing-masing,” tambahnya.

Hal serupa juga diungkap oleh Kaprodi MIKOM UII, Prof. Subhan Afifi, S.Sos., M.Si. perjalanan sejak awal tahun 2023 dengan melakukan bencmarking dari beberapa universitas di Yogyakarta, Jakarta, dan Singapura akhirnya menemukan formulasi yang unik dan kuat yakni Environmental and Digital Communication.

“Benchmarking dilakukan untuk mencari tahu bagaimana formula Program Magister Ilmu Komunikasi yang kira-kira sesuai dengan tantangan zaman. Akhirnya kami melaunching dengan keunikannya yang diapresiasi oleh berbagai pihak yakni kajian digital dan environmental communication ini menjadi pembeda yang sangat kuat,” tegasnya.

Ucapan selamat juga datang dari Prof. Masduki selaku Dekan Fakultas Ilmu Sosial Budaya sekaligus pengajar MIKOM UII. Beliau menegaskan bahwa pendidikan jenjang magister berorientasi pada kemampuan analitis dan otonomi mahasiswa. Hal ini sesuai dengan slogan yang dilakukan oleh UII “Mendesain Versi Terbaikmu”.

“Selamat datang kepada mahasiswa magister ilmu komunikasi. Kita sudah berada di level yang substantif bagaimana mahasiswa membangun otonominya sendiri. Pendidikan adalah satu petualangan yang sepanjang usia, slogan UII versi terbaik,” ungkapnya.

Salah satu mahasiswa baru MIKOM UII, Annisa Putri Jiany, mengungkapkan harapan besarnya dalam mengikuti program ini. Ia berharap dengan bergabung menjadi bagian dari MIKOM UII mampu menjadi lulusan yang berkontribusi dalam bidang akademik maupun praktik.

“Harapan saya di MIKOM tentu mengembangkan skill yang nantinya berguna dan aplikatif di lapangan pekerjaan, baik dari segi akademis ataupun praktisi,” tandasnya.

Penyambutan mahasiswa baru MIKOM UII 2025 tak hanya menandai perluasan jenjang akademik, tetapi juga membuka peluang kontribusi nyata bagi mahasiswa dalam menangani isu-isu kritis di era digital dan perubahan lingkungan.

Global Solidarity

Solidarity today goes beyond simply “standing together”—it represents collective responsibility and shared struggles in addressing global issues. Whether through climate protests led by Greta Thunberg and Fridays for Future, humanitarian relief during disasters, or global awareness campaigns for Palestine, young people have consistently been at the forefront. Their voices, energy, and commitment give solidarity movements both visibility and urgency.

Young people bring a unique spirit to solidarity movements, driven by passion to expose injustice and a refusal to remain silent. For instance, the election of the first female prime minister in Nepal through Discord demonstrates how digital activism can rapidly mobilize people. Combined with powerful campaigns, slogans, and visuals that spread globally, this highlights the creativity and innovation that youth contribute. Altogether, it shows that young people recognize that change comes through action and unity, and that they play a vital role in making it happen.

Unique Contributions 

  1. Art, Music, and Campaigns: From street murals in Indonesia featuring the red-and-white flag to TikTok dances carrying solidarity messages, creative expression makes movements relatable.
  2. Volunteering and Community Projects : Whether tutoring underprivileged kids, planting trees, or organizing relief drives, youth ground solidarity in local action.
  3. Global Digital Presence: With hashtags, livestreams, and online presence, young activists transform local struggles into global conversations, proving that solidarity is no longer limited by geography.

Challenges That Need to Be Addressed 

  • Lack of Resources: Many youth groups rely on small donations or personal funds.
  • Being Underestimated: Adults often dismiss youth as “too young to understand,” creating barriers to influence.
  • Limited Institutional Support: Movements led by young people often lack formal backing, making sustainability difficult.

The young generation is not just the “future”—they are active change-makers shaping solidarity now. Their creativity, passion, and digital reach redefine what collective action looks like. However, for solidarity to grow stronger, adults, institutions, and global communities must listen, provide resources, and stand beside youth, rather than leaving them out. Solidarity thrives when every voice counts, and the voices of youth are too powerful to ignore.

References

Communal Sharing as the Foundation of Solidarity Action in Youth Organization. (2024). Indonesia journal of psychology, 51(1), 1-19. https://jurnal.ugm.ac.id/jpsi/article/view/80984/pdf

Julian Natukunda. (2025, April 14). Solidarity in a Fragmented World: The Role of Young people. Global Health Solidarity Project. https://www.globalhealthsolidarity.org/node/108

Solidarity – Wikipedia. (n.d.). Wikipedia, the free encyclopedia. Retrieved September 19, 2025, from https://en.wikipedia.org/wiki/Solidarity

 

Written by: Thrya Abdulraheem Motea Al-aqab

Edited by: Meigitaria Sanita

P2A ICE CREAM 2025: International Dissemination to Further Strategic Collaboration Plans

The highlight of the P2A ICE CREAM CHOCO 2025 programme is international dissemination at SCIMPA UUM on 28 August 2025. During this session, delegates from IPC UII and SCIMPA UUM presented the results of projects that had been carried out in several countries, namely Indonesia, Malaysia, and Thailand.

The presentation was witnessed by the international academic community, such as the rector of UUM and staff. This opportunity demonstrated the success of P2A ICE CREAM CHOCO 2025 as a means of international mobility that transcends academic experience.

Secretary of IPC UII, Ida Nuraini Dewi Kodrat Ningsih, S.I.Kom., M.A., explained, “P2A is not just ordinary global mobility, but an international short course that can be converted. Because P2A contains many contexts. Not only academic and travel, but also how students adapt and find solutions to emergency situations in the global environment and culture they encounter,” she said.

This statement emphasises that during the P2A ICE CREAM CHOCO 2025 activity, students hone their abilities in dealing with cultural dynamics and practical problems.

During the process of working on the IPC UII delegation project, which resulted in an online magazine, three universities were involved: SCIMPA UUM, Suan Dusit University, and Chiang Mai Rajabhat University in collecting the necessary data.

“The students collaborated with delegates from the three universities. They not only helped collect data, but were also able to present their ideas in front of the UUM rector and international delegates. This is an achievement in international dissemination that is different from previous years,” she added.

Furthermore, she also mentioned that this programme provides significant benefits for lecturers and educational staff. It is an opportunity for capacity building for the academic community involved.

“Even lecturers and staff have greatly benefited from this programme. We observed and learned how universities work, manage, and communicate internationally,” she added.

After successfully implementing this programme, several strategic plans for next year have been initiated with partners. “So far, the cooperation that has been established will continue to be developed. We discussed the concept of P2A ICE CREAM 2026 with SDU in Trang, which has partnered with SCIMPA UUM. In addition, the Department of Communications at UII has begun to expand its wings to initiate student exchanges, particularly for the MIKOM master’s programme. This idea has been approved by the Deputy Dean of SCIMPA, Dr. Syamsul Hirdi bin Muhid and Assoc. Prof. Ts. Dr. Adzrool Idzwan bin Ismail,” he explained.

In response, the Deputy Dean for Student Affairs and Alumni of SCIMPA UUM, Dr. Syamsul Hirdi bin Muhid, expressed his appreciation, “The Passage to ASEAN International Course on Creative Media (P2A ICE CREAM 2025): CHOCO (Creative Home of One Community of ASEAN) has brought together innovative talents from the School of Creative Industry Management and Performing Arts, Universiti Utara Malaysia, with the Department of Communication, Universitas Islam Indonesia (UII), marking an important achievement in international academic and creative exchange. I am immensely proud of the transformative outcomes observed throughout this initiative—building pragmatic skills and intercultural fluency, while broadening our students’ global horizons. This programme has laid a strong foundation for ongoing and synergistic collaboration. SCIMPA, UUM is committed to continuing to enhance ambitious and mutually beneficial partnerships with UII, and we look forward to expanding joint mobility programmes and cross-cultural exchanges that will empower our student communities to excel and innovate on the global stage in the future,” he said.

The commitment of the Department of Communication Studies at UII alongside SCIMPA UUM is expected to open opportunities focused on developing international programmes. The entire P2A ICE CREAM CHOCO 2025 series marks a new chapter in realising the vision of educational integration and exchange within the ASEAN region.

P2A ICE CREAM 2025: Exploring the Creative City of Chiang Mai in the Creative and Cultural Industries

After completing their agenda in Bangkok, the P2A ICE CREAM 2025 delegates continued their journey to Chiang Mai, Thailand. On 23 August, they arrived at Chiang Mai Rajabhat University (CMRU) to carry out various activities.

This city was chosen because of its rich culture and rapidly growing creative industry. Not only at CMRU, the IPC UII and SCIMPA UUM delegates were invited to visit creative locations around the city. In addition to visiting creative industries, the delegates were also introduced to the creative community in Chiang Mai, from religious centres to local markets as the backbone of the community’s creative economy.

Some of the destinations visited included Ku Taw, a Buddhist temple that is also a centre for the production of traditional arts and crafts in Thailand. It is not only a place of worship, but also a space for artists to produce works of art that are commonly used in several major ceremonies in Thailand. From this visit, the delegates learned how tradition and the creative industry go hand in hand.

After Ku Taw, the next destinations were Ban Kaan Wat and Wu Lai Night Market. These areas are centres for creative communities marketing local handicraft products. There, the delegates witnessed first-hand the creative process, such as painting, knitting, and various workshops conducted by the community.

The next day, the trip continued to Jing Jai Market. This market is unique in its rich creative and cultural value. Here, the delegates carried out their project to document various aspects through videography, photography, and copywriting. They also gathered information through direct interviews with creative practitioners and local and foreign visitors.

Interestingly, the delegates had the opportunity to meet Jeroen G. Schedler, director of P2A and owner of BED Hotel Changkian, where the delegates stayed. He shared interesting insights on building organisations and businesses based on humanity and leadership. “Within my journey along with great people in creating this P2A organisation and this business (BED Hotel), I believe that the sense of giving goodness is much better compared to simply chasing money, power, and position. But I chose to give compassion, equality, equality, equality. A chance for everyone. That’s why there was never a manager in this hotel, because I trust in shared leadership, and that is how they could have this kind of responsibility to grow together,” he said.

One of the participants, Cleodora Faustina Wibowo, a delegate from IPC UII, shared her impressions of the city and the creative exploration experience. “Chiang Mai, I think it’s one of the most beautiful cities I’ve ever visited. The scenery is great, full of nature, and interesting places that are just a sight for sore eyes. Most importantly, it’s rich in culture and filled with creativity,” she said.

Cleodora described her deep impressions of the two markets she visited, Baan Kang Wat and Jing Jai Market. She said, “Both markets have their own uniqueness, and it’s hard to pick a favourite for that reason. Baan Kang Wat is a market unique in the crafts they sell and offers visitors the fun of crafting. The place is also cheerful with its decoration made out of pieces of ceramics put together, or shattered mirrors that are just so well put onto the walls, but my favourite is still the cute statues of animals like the cartoonish tiger or the little monkey right out front like it’s greeting you,” she added.

Regarding Jinjai Market, Cleodora added, “I would say Jing Jai would be a better place to discover flavour through the local food palate. They still sell some cute little handmade pieces just like in Baan Kang Wat, but the farmer’s market is what piqued my interest. My favourite would be this stall that sells a bunch of Thai food in small dishes made out of leaves so customers won’t miss out on tasting every single one in a controlled portion,” she said.

The P2A ICE CREAM 2025 event in Chiang Mai showcased the rich collaboration between education, creative communities, and cultural aspects that thrive in a creative city in Southeast Asia. This exploration became a valuable lesson for participants on how creativity and culture play a major role in driving the local economy while strengthening a city’s identity.

IAMCR 2025 Singapore: Solastalgia ‘Rumah Tenggelam dalam Lautan’ di Demak Jawa Tengah

Juli lalu beberapa delegasi dari Jurusan Ilmu Komunikasi UII bertandang ke Singapura untuk turut menyuarakan isu lingkungan dalam konferensi internasional IAMCR 2025 Singapore yang bertema Communicating Environmental Justice: Many Voices, One Planet.

Salah satu paper yang dipresentasikan oleh staf dan dosen kami adalah “Solastalgia”: Surviving (dis)placed Sinking Village garapan Iven Sumardiyantoro, S.I.Kom., M.I.Kom. (asisten Laboran Ilmu Komunikasi) dan Puji Rianto, S.IP., M.A. (dosen Ilmu Komunikasi) yang mengeksplorasi dampak emosional dan sosial akibat climate change di Demak, Jawa Tengah.

Konsep solastalgia dari Albrecht, menggambarkan kesedihan dan keterasingan ketika tempat yang ditinggali menjadi sumber kecemasan karena hilangnya identitas ruang itu sendiri. Berbeda dengan nostalgia yang maknanya rindu rumah yang jauh. Solastalgia adalah rasa sakit, ketika seseorang masih berada di rumah yang sama namun lingkungannya rusak. Seseorang menjadi stress hingga tak bedaya melihat perubahan tersebut.

Pengamatan empiris dilakukan sejak tahun 2023 di beberapa wilayah Pesisir Demak, Jawa Tengah. Informasi menyebutkan jika tenggelamnya perkampungan di wilayah tersebut terjadi sejak tahun 2000-an awal. Kenaikan permukaan laut, abrasi pantai, dan penurunan tanah terjadi karena climate change dan diperparah oleh aktivitas manusia seperti pembangunan infrastruktur yang tak memperhatikan risiko lingkungan.

Dampak dari tenggelamnya perkampungan memkasa masyarakat untuk segera beradaptasi. Hilangnya lahan pertanian yang berubah menjadi lautan. Mereka dipaksa keadaan menjadi nelayan, meninggikan rumah, hingga membuat papan jalan demi bertahan hidup. Alasan tetap bertahan adalah ikatan emosional dengan tanah leluhur, meskipun risiko sosial ekonomi yang kompleks. Solastalgia menyingkap bahwa krisis lingkungan tak hanya melihat risiko fisik, melainkan dampak serius pada kesehatan mental masyarakat pesisir. Sehingga mitigasi bencana selayaknya mengintegrasikan pemahaman ini agar respons yang diberikan lebih manusiawi dan sensitif terhadap keterikatan emosional.

Dari ketarangan Iven Sumardiyantoro, ini adalah pengalaman diskusi akademik internasional perdananya. “Kesempatan berharga bertemu scholar komunikasi bidang environmental communication walaupun saya junior researcher forum itu sangat egaliter. Para profesor curriouss terhadap paper saya,” ujarnya menjelaskan.

IAMCR 2025 Singapore digelar pada 13-17 Juli lalu di Nanyang Technological University (NTU), ia mendapat jadwal presentasi di hari terakhir. Kesempatan ini dimanfaatkannya untuk belajar dari diskusi panel-panel sebelumnya. “Berjejaring dengan section sesuai ketertaikan terhadap suatu topik, topik visual culture, environmental, film, pop,” tambahnya.

Dari jejaring tersebut, Iven menyebut mendapat tawaran dari panel chair untuk menjadi fasilitator yang bertema book chapter on environmental communication and disaster. Kesempatan ini tentu menjadi awal yang meyakinkan baginya.

Sebagai junior researcher, Iven mengaku banyak melakukan diskusi dengan para dosen di Jurusan Ilmu Komunikasi UII. “Jadi Pak Puji Rianto memberikan banyak masukan dan menuliskannya dari segi teoritik, saya empiris bagaimana cara menyemapaikan pengalaman dari point of view pada conference,” tandasnya.

Selain paper tersebut, tercatat ada sepuluh judul paper dari Jurusan Ilmu Komunikasi UII yang turut menyuarakan isu-isu terkait dalam konferensi tersebut.

IAMCR 2025 Singapore menjadi bukti nyata bahwa krisis lingkungan dan ketimpangan sosial perlu menjadi agenda penting. Lewat kajian komunikasi konferensi ini menyoroti persimpangan kritis antara berbagai suara dari berbagai pemangku kepentingan dan tindakan kolaboratif mereka dalam mengatasi tantangan mendesak zaman ini.

Singapura, sebuah negara kota yang dinamis dan dikenal karena keragaman budayanya serta program-program keberlanjutannya, menjadi latar belakang yang ideal untuk diskusi ini. Meskipun memiliki wilayah geografis yang kecil, Singapura secara unik rentan terhadap dampak perubahan iklim, termasuk kenaikan permukaan laut dan pola cuaca ekstrem.

P2A ICE CREAM 2025: ‘Thailand Creative’

The journey from Alor Setar, Malaysia, continued to Thailand via an 18-hour train ride. On 21 August 2025, delegates from IPC UII and SCIMPA UUM arrived at Suan Dusit University (SDU) in Bangkok. The next agenda of P2A ICE CREAM CHOCO was a workshop entitled “Thailand Creative”.

This workshop focused on understanding how the creative community in Bangkok has developed and contributed socially and economically at the local and national levels. Two expert lecturers from SDU were present, namely Asst. Prof. Dr. Aunkrisa Sangchumnong, fondly known as Dr. Risa, and Asst. Prof. Dr. Worakamon Vongstapanalert. Both collaborated as workshop facilitators and complemented each other in terms of theory and practice in Bangkok’s creative community.

In her presentation, Dr. Risa focused more on the concept of creative communities in the context of urban and economic development. From her presentation, it was clear that creative communities are not just a group of people who create works of art, but a fundamental part of community development.

P2A ICE CREAM 2025: ‘Thailand Creative’ Workshop at Suan Dusit University from the Context of Bangkok City of Design

P2A ICE CREAM 2025: ‘Thailand Creative’ Workshop at Suan Dusit University from the Context of Bangkok City of Design

The existence of creative hubs and spaces that grew from the grassroots level has developed into an industry that has a significant impact on the economy. This is not only for artists and creative practitioners, but also for the country.

Creative Community is a part of the process through grassroots community within the society, such as creative hub and space when it keeps developing into something greater and prospects into industries that give economic advantage for the artist and the sustainability of the community. All these processes are intended to create creative cities that enable opportunity for artists and communities to create and explore,’ said Dr. Risa.

This workshop was not only attended by students from the three countries, but also lecturers and staff. They gained new insights into how creative communities with systematic work can have a positive and sustainable impact. Not only that, but sustainable empowerment is the key to success.

Next, Asst. Prof. Dr. Worakamon Vongstapanalert introduced Thai culture through traditional dance. Together with her students, she introduced the basics of the movements. The dance is commonly performed at cultural events.

This practice provided an exciting experience, with students, lecturers, and staff from different countries learning the values of how to preserve their country’s cultural heritage. Through the management of arts and culture, participants gained a broader understanding of how creative communities not only boost the economy but also symbolise the nation.

The workshop at SDU is tangible evidence of strong collaboration between universities in the P2A ICE CREAM CHOCO 2025 series. It is hoped that participants will return home with useful insights and inspiration to develop creative communities in their respective countries.